CLEVELAND - The 35th Annual Rock & Roll Hall of Fame Induction Ceremony, presented by Klipsch Audio, will take place on Saturday, May 2, 2020, at Public Auditorium in Cleveland, Ohio. The Ceremony will be broadcast live for the first time on HBO on May 2nd at 8 p.m. ET. Performances and special guests will be announced later.
The Ahmet Ertegun Award honors songwriters, producers, disc jockeys, record executives, journalists and other industry professionals who have had a major influence on Rock & Roll.
Ballots were sent to an international voting body of more than 1,000 artists, including current living Inductees, historians and members of the music industry. Factors such as an artist’s musical influence on other artists, length and depth of career and the body of work, innovation, and superiority in style and technique are taken into consideration. The original 16 nominees that were considered for induction were selected by a nominating committee in September 2019.
Four of the Inductees were on the ballot for the first time, including The Doobie Brothers, Whitney Houston, Notorious B.I.G., and T.Rex.
The Inductees were announced today on SiriusXM’s Volume channel and the Rock Hall’s Facebook, Twitter and YouTube page. SiriusXM’s Rock & Roll Hall of Fame Radio will also broadcast the ceremony on May 2nd with exclusive interviews.
Tickets go on sale to the public on February 27th (Members February 25th) at 10 a.m. ET at ticketmaster.com.
Become a Rock Hall donor or member by January 31, 2020, to be eligible for exclusive Induction ticket opportunities. Rock Hall donors can access tickets now and members get access to a limited ticket pre-sale, starting February 25th.
The Ceremony is preceded by Induction Week, which includes a special dedication of the 2020 Inductee exhibit, a red-carpet experience, Celebration Day with fireworks at the Museum, and other events and activities at the Museum and around town!
Klipsch Audio, a leading global speaker and headphone manufacturer, is a strategic partner and presenting sponsor of the Rock & Roll Hall of Fame, its Induction Ceremony events and the Rock & Roll Hall of Fame’s Main Stage. Klipsch’s renowned products deliver the power, detail and emotion of the live music experience throughout the iconic museum.
Follow the Rock Hall on Facebook (@rockandrollhalloffame), Twitter and Instagram (@rockhall) and join the conversation at #RockHall2020.
The names of the Rock & Roll Hall of Fame’s 2020 Inductees have been released. They are:
Performer Category:
- Depeche Mode
- The Doobie Brothers
- Whitney Houston
- Nine Inch Nails
- The Notorious B.I.G.
- T.Rex
Ahmet Ertegun Award:
- Jon Landau
- Irving Azoff
***INDUCTEE BIOS***
Depeche Mode
Full bio, selected discography, and more: https://www.rockhall.com/depeche-mode
Remaining on the cutting edge for over three decades, Depeche Mode has explored new realms of postpunk, electronic textures, and futuristic industrial sounds. Depeche Mode built a diehard cult and helped invent the goth subculture with groundbreaking hits while their electro reboot of “Route 66” showed off their wry take on the R&B verities. Black Celebration (1986) and Music for the Masses (1987) led to Depeche Mode’s masterwork Violator (1990), blending ominous synths with rock guitar for classics like “Personal Jesus” and “Enjoy The Silence.”
Their newfound flair for the blues exploded in the goth-grunge swamp gospel of 1993’s Songs of Faith and Devotion (“Walking In My Shoes”), as well as in recent global hits like Delta Machine (2013) and Spirit (2017). Depeche Mode have kept evolving through the 1990s and beyond, remaining a legendarily fearsome live act across the planet, with a foot in the underground and another in the club – but always with an eye on the future.
The Doobie Brothers
Full bio, selected discography, and more: https://www.rockhall.com/doobie-brothers
The Doobie Brothers got their start in Northern California, where Tom Johnston’s chugging guitar rhythms, John Hartman’s energetic drumming, and the fingerpicking guitar style of Patrick Simmons combined to create a unique groove that mixed diverse influences from rock, R&B, and country. Bassist Tiran Porter and drummer Mike Hossack joined the band, and the group broke out on radio stations nationwide with their utopian rock anthem “Listen to the Music” in 1972. The Doobie Brothers continued to release guitar-driven hits, including such classics as “Long Train Runnin’” (1973) and “China Grove” (1973). But they also were no strangers to experimentation; their first #1 single, “Black Water” (1975), drew on folk and bluegrass, pushing the boundaries of their hard rock style. Personnel changes in the mid-1970s led the band to explore even more sounds and textures. After a brief hiatus in the mid-1980s, the band reunited, returning to their signature rock sound. Throughout their career, they have sold over 48 million records worldwide and charted five Top 10 singles. Almost fifty years since their original formation, the Doobie Brothers continue to perform their feel-good rock hits alongside brand new tunes, giving generations of fans a chance to “Listen to the Music.”
Whitney Houston
Full bio, selected discography, and more: https://www.rockhall.com/whitney-houston
Whitney Houston’s musical upbringing is one of the most storied in the business, and she seemed destined for greatness. Her mother, Cissy Houston—a vocalist who supported artists from Elvis to Aretha Franklin—provided Whitney with expert training from a young age. Through her mother and cousin Dionne Warwick, Houston heard and saw the best performers in the business. Houston’s effortless vocal skill attracted interest from multiple labels, and at the age of nineteen was signed by Clive Davis to Arista Records in 1983. Her debut album netted three #1 singles: “Saving All My Love for You,” “How Will I Know,” and “The Greatest Love of All” and topped the Billboard 200 for fourteen weeks. Houston’s ability to connect with audiences set dozens of industry records: the first artist to have seven consecutive #1 hits, the longest-reigning #1 single on the Hot 100 (“I Will Always Love You”), and the first woman to enter the Billboard 200 at #1 (Whitney). Her awards—numerous enough to achieve a nod from Guinness World Records—included an Emmy and six Grammys. Houston’s voice was as versatile as it was powerful, and her catalog shows a unique ability to incorporate a range of stylistic elements spanning pop, rock, gospel, R&B, funk, soul, and hip-hop. Her sound expanded through collaborations with a wide array of artists, including Stevie Wonder, Luther Vandross, Babyface, Missy Elliott, Bobby Brown, and Mariah Carey. Covers of her songs and tributes since her passing in 2012 have come from all corners of the industry, and her voice lives on through the younger generations inspired by her work (Beyonce, Ariana Grande, Jennifer Hudson).
Nine Inch Nails
Full bio, selected discography, and more: https://www.rockhall.com/nine-inch-nails
With Nine Inch Nails, Trent Reznor has taken the sounds and sights of transgressive art into the mainstream, transmuting alienation into community. Nine Inch Nails began in Cleveland in the late 1980s as a studio project for Reznor but blossomed onstage with his live band during the first Lollapalooza tour in 1991, which found them laying waste to its instruments in the afternoon sun as dismayed fellow musicians and converted fans looked on. The 1994 breakthrough album The Downward Spiral combined the mechanized funk and discordant noise of industrial rock with Reznor’s belief in melody and song structure. It debuted at number two on the Billboard album chart and spawned the Top 40 hit “Closer” — with its promises of animalistic sex as a way of being nearer to God — as well as “Hurt,” later covered by Johnny Cash. A mud-splattered, star-making performance at Woodstock ’94 delivered Nine Inch Nails to the arena level. A series of carefully wrought tours — including a co-headlining trek with David Bowie in 1995 — followed, accompanied by visuals as transformative as they were simple. In recent years, Reznor’s penchant for futurism has included distributing music for free on the Internet as well as working for Beats Music to find a way to restore value to purchasing music. Nine Inch Nails returned in 2013 with Hesitation Marks and reissued new instrumental versions of The Fragile and With Teeth as exclusive Apple Music streams. The creativity of Trent Reznor has penetrated myriad aspects of the entertainment world. From music to film to management and streaming, NIN continues to be an influential force in our world.
The Notorious B.I.G.
Full bio, selected discography, and more: https://www.rockhall.com/notorious-big
Biggie Smalls – aka The Notorious B.I.G. – is celebrated as the greatest of his generation. Born Christopher Wallace in Brooklyn’s Bedford-Stuyvesant neighborhood, he earned the nickname “Big” as a teenager. His versatile rapping style - laid-back yet hard, complex yet relatable - drew the attention of Sean “Puffy” Combs and Puffy’s new label, Bad Boy records. In 1993, Biggie’s debut single – the raucous “Party and Bullshit” – proved he was a star in the making, and quickly made him the focal point of Bad Boy. 1994 saw the release of Ready to Die, which included signature classics “Juicy” and “Big Poppa” and fan favorites “Warning” and “Gimme the Loot.” Biggie’s music ranged from smooth R&B samples to hard-hitting beats, and his autobiographical approach to storytelling transported you into his life. The music complemented Biggie’s high-end, Versace-laced fashion sense to make him a superstar: the East Coast’s answer to Dr. Dre and Tupac. By 1995, he was the top-selling solo male artist on the rap, R&B and pop charts – all without compromising his art or his street cred. In March 1997, Biggie was shot and killed at the age of 24, devastating the music community. Two weeks later, his final completed album Life After Death was released. A double-record with equal parts ambition and paranoia, it debuted at number one and included chart-toppers “Hypnotize” and “Mo Money Mo Problems” – making Biggie the first artist to earn multiple posthumous number ones. Biggie’s legacy finds him among the top of “Best Rapper” lists: he’s a direct influence on artists like Jay-Z, Eminem, and Nicki Minaj, and his lyrics have been quoted by Alicia Keys, Michael Jackson, and Usher.
T.Rex
Full bio, selected discography, and more: https://www.rockhall.com/t-rex
Marc Bolan and Steve Peregrin Took began the group as psychedelic folk-rock with elements of eastern music, baroque songs, and fantasy stories. In 1970 Bolan teamed with drummer Mickey Finn and producer Tony Visconti to record “Ride a White Swan,” which is now considered the musical herald that ushered in the birth of Glam Rock. The next release was a full length self-titled album that experimented with electronics and rock sounds on songs like “The Wizard.” They added bass player Steve Currie and drummer Bill Legend and made Electric Warrior, and glam rock diamond that changed the world of rock. The music kept the underpinning of folk-rock and psychedelia, but added an undeniable guitar crunch, pulsing rockabilly rhythms, and pop vocals. “Jeepster” is a power cord romp, “Cosmic Dancer” a space journey ballad, and “Bang a Gong (Get It On)” an anthem for the ages. Between 1971 and 1977 the band stayed aggressively creative by releasing at least one album per year. Bolan’s tragic death on September 16, 1977, put an end to the band, but their music went on to influence countless musicians and styles that include post-punk, new wave, indie, and alternative rock. Artists including the New York Dolls and KISS took the style of Bolan to the next level and created new musical scenes. Bauhaus toughened up “Telegram Sam” into a gothic explosion and the rock & roll supergroup the Power Station had a top ten hit with “Bang a Gong” in 1985, bringing the music of T. Rex to the MTV generation. T. Rex is name checked in the lyrics of songs by Bowie, The Who, and the Ramones, featured in film soundtracks, and referenced in novels: their presence in popular culture is everywhere.
Irving Azoff (Ahmet Ertegun Award)
Irving Azoff is a name that has become synonymous with the entertainment industry. From his earliest days when Mr. Azoff began promoting and booking bands during his University of Illinois college years to his success as an agent, personal manager, concert promoter, movie producer, independent record label owner, merchandiser, music publisher, and record company CEO, he has always put his unique stamp on his accomplishments. Mr. Azoff holds the title of Chairman and CEO of The Azoff Company and is the personal manager of the legendary Eagles, who he has managed since 1974, Jon Bon Jovi, Gwen Stefani, Christina Aguilera, John Mayer, Journey, Van Halen, entertainer Chelsea Handler, and many others. The Azoff Company, founded in 2018, is a privately held media and entertainment company dedicated to investing in positively disruptive businesses that put artists and fans first. The company is based in Los Angeles and has a portfolio that includes Full Stop Management, one of the world’s leading music management companies; Global Music Rights, a performance rights company transforming that space in favor of its songwriter clients; Oak View Group, a company focused on the sports and entertainment venue industry; and Lane One, a premium experience company. Additionally, the Azoff Company has a consultancy relationship with the Madison Square Garden Company with respect to the Forum, the MSG Sphere initiative and other matters. Previously, he served as Chairman and CEO of Ticketmaster Entertainment and Executive Chairman of Live Nation Entertainment and CEO of Front Line Management, the world’s largest music management firm, until his resignation on December 31, 2012.
Jon Landau (Ahmet Ertegun Award)
Jon Landau began his career in music as a pioneer rock journalist in the mid-Sixties. He contributed to many of the earliest rock publications, including the original Crawdaddy! The Phoenix and, starting with the first issue in 1967, Rolling Stone. He was the magazine’s lead music columnist and later the editor of all record reviews. During his ten years at the magazine, he wrote a vast amount of highly influential articles and reviews, much of which he collected in his book, It’s Too Late to Stop Now. He began his second career as a record producer working first with the MC5 on their legendary Back in the USA and folk-rock artist Livingston Taylor and, later on, with Jackson Browne. In 1974, he combined his interest in journalism and record production by writing about a concert in Boston that “I saw rock and roll’s future and its name is Bruce Springsteen” and then going on to become Springsteen’s co-producer for the next 18 years. In 1977 he started the third phase of his career and became a manager where his principal client has always been Springsteen. In one form or another, they have worked together in a model relationship for the last 45 years.
